Glaciere (ice cellar)

Object Name: 
Glaciere (ice cellar)

Notice of Upcoming Content and Access Change

The Museum is working on the future of our online collections access. A new version will be available later in 2023. During this transition period, the current version of the Collections Browser may have reduced functionality and data may be not be updated. We apologize for any inconvenience this may cause. For any questions or concerns, please contact us.

What is AAT?

The Art & Architecture Thesaurus (AAT) (r) is a structured vocabulary for generic concepts related to art and architecture. It was developed by The Getty Research Institute to help research institutions become consistent in the terminology they use.Learn More

Object Name: 
Glaciere (ice cellar)
Place Made: 
Accession Number: 
2000.3.15
Dimensions: 
Overall H: 25.5 cm, W: 26.4 cm, D: 18.9 cm
Location: 
On Display
Date: 
about 1760-1780
Primary Description: 
Glaciere (ice cellar). a) Two handled cooler, transparent pale grey bubbly glass; blown, tooled, applied. Cylindrical bowl with outwardly folded rim, two ribbed D-shaped handles applied on opposing sides, three square solid feet applied to bottom of base at edge. b) Lid, colorless glass; blown, hot-worked, tooled, applied. Low cylindrical shape pinched together to form flange about two-thirds of the way down side in center applied "handle" / finial consisting of solid spirally ribbed circular loop horizontal band pincered in two places to form vertical disk atop solid ribbed almost bell shape. c) Liner, colorless glass; blown. Flaring cylindrical shape with flange rim.
Department: 
Provenance: 
Christie's, Paris, Source
2000-03-28
In Sparkling Company: Glass and the Costs of Social Life in Britain during the 1700s
Venue(s)
Corning Museum of Glass 2021-05-22 through 2022-01-02
In 2020, the Corning Museum of Glass (CMoG) will present In Sparkling Company: Glass and Social Life in Britain during the 1700s; an exhibition exploring the role of glass, light and reflectivity in eighteenth-century social life. In the 1700s, Britain was a vibrant and commercial nation. Its growing cities were hubs of sociability, scientific advancement, trade, and finance. From glittering costume and elaborately presented confectionery, to polished mirrors and dazzling chandeliers, glass helped define the social rituals and cultural values of the period. While new innovations in glass delighted the wealthy, the material also bore witness to the ambitions of colonization and the horrors of the African slave trade. Glass beads were traded for human lives and elegant glass dishes, baskets and bowls held sweet delicacies made with sugar produced by enslaved labor. Underpinning Britain’s prosperity were aggressive foreign trade policies, colonization and a far-reaching economy of enslavement, the profits of which funded the pleasures and innovations of the fashionable world. Beginning in the intimate setting of a private dressing room, with a magnificent silver gilt dressing service made for the Duchess of Portland in about 1700, learn about how the elite prepared themselves for a night of revelry and entertainment. See the dazzling clothes and accessories worn by the ‘polished’ individual and understand the rules that governed how they behaved. Enter a specially commissioned virtual reality reconstruction of the remarkable and innovative glass-paneled drawing room designed for the Duke and Duchess of Northumberland in 1775, an interior that hasn’t been seen for nearly 200 years. Become immersed in the glittering nightlife of British elite and feel the tension between the exuberance of the fashionable world and the human cost of such sparkling company. Through a lens of glass, see what it meant to be ‘modern’ in the 1700s, and what it cost.
The Fragile Art: Extraordinary Objects from The Corning Museum of Glass
Venue(s)
Park Avenue Armory 2009-01-23 through 2009-02-01
The 55th Annual Winter Antiques Show
 
Recent Important Acquisitions, 43 (2001) illustrated, p. 203, fig. 23; BIB# AI53002
The Corning Museum of Glass Annual Report 2000 (2001) illustrated, pp. 8, 9, left; BIB# AI98331