Juan Gris Table

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Object Name: 
Table with Palace Vase and Low Footed Bowl
Juan Gris Table
Accession Number: 
Overall H: 94 cm, W: 89 cm, D: 86.4 cm
Not on Display
Credit Line: 
Gift of Steuben Glass, Inc.
Web Description: 
This unique table was designed and made for the exhibition, “Separate Tables,” held at Steuben’s Fifth Avenue showroom in New York City from September 29 to October 31 1987. The work of the French Cubist painter Juan Gris (1887–1927) was an early inspiration for Graves, and Graves’ approach to architecture and design borrowed much from Cubist art. His early work makes reference to the work of masters such as Gris, compounding fragments with overlays and superimposing perspective and structural grids contrasted with curves (source: Oxford University Press). Graves’ table for Steuben was inspired by the still life, "Breakfast", painted by Juan Gris in 1914 and now in the collection of the Museum of Modern Art, New York. Graves substituted Gris’ painted glass vessels with Steuben Glass designs: the “Palace” vase designed in 1977 by Donald Pollard and a low footed bowl.
Steuben Glass, Inc., Source
Marker underside of table
Primary Description: 
"Juan Gris Table", Table with Palace Vase and Low Footed Bowl. Colorless glass, wood, paint; blown, polished, assembled. Three-dimensional interpretation of a 1914 Juan Gris still-life painting; the bowl, carafe and fruit in the painting have been substituted with Steuben designs.
Michael Graves: Past as Prologue
Grounds for Sculpture 2014-10-18 through 2015-04-05
On October 18, 2014, Grounds For Sculpture will open its Fall/Winter exhibition season, headlined with a remarkable installation of work by internationally acclaimed artist and architect, Michael Graves. The exhibition, entitled Past as Prologue, will celebrate the 50th anniversary of Graves’ design firm and its five decades of visionary work. The exhibition will feature a tour through seminal architecture and product design projects, and will display some of Graves’ original works of art, including sculpture and paintings. It will reflect the evolution of Mr. Graves’ core design principles and how the past influences the present, setting the stage for the future. On view in the Museum, Domestic Arts Building, and Welcome Center, Past as Prologue will present projects ranging from rarely seen work from 1964 through current work “on the boards.” Some of Graves’ most influential architectural designs will be on display including the iconic Denver Central Library and the Team Disney Building in Burbank. Also featured will be everyday objects such as his celebrated ALESSI teakettle and a collection of bowls and vases for Steuben Glass. The exhibition will reflect the breadth of his accomplishments at every scale. Visitors will also get a rare glimpse at the early Linear City project on which Graves collaborated with architect Peter Eisenman. The exhibition will give visitors the opportunity to see the progression of Graves’ design philosophy and the core values he developed with his collaborators. Visitors will gain insight into how such a broad spectrum of work produced across five decades is inter-connected. “Reminiscing over 50 years of projects is wonderful for me, but I am most excited about how the future of our practice is evolving from the energetic collaboration of our disciplines,” says Michael Graves. “I hope that visitors experience the many scales of our designs with the same joy that we feel in creating them.” In addition to an extensive collection of Graves’ architectural models, products, furniture, paintings, sculptural pieces, and photos of built projects from around the world, some of his never-before-seen drawings will also be on view, providing a behind-the scenes glimpse into the design process from original concept to the final product or project. “Michael is a true visionary. This exhibition will feature many of his never-before-seen drawings created over five decades, which will enable visitors to experience his thought process in the same space as the finished product. He approaches every project with a human sensibility; whether it’s a hotel, office building, or product for home and health, he insists that it be intuitive and functional. And he is able to balance this requirement with streamlined design and a heightened aesthetic,” says Tom Moran, Chief Curator at Grounds For Sculpture. “He is a master at his craft, and we are so pleased to be able to share his work and celebrate the 50 years leading up to this momentous exhibition.” Throughout the duration of Michael Graves: Past as Prologue, Grounds For Sculpture will offer special events, talks, tours, and hands-on art-making workshops for families and adults, in addition to a film series and a Product Design Challenge, all inspired by the exhibition.
At Home with Steuben (1988) illustrated, Cover, p. 1;
The Glass Hurrah (1987-10-05) illustrated, p. 70;