Watch Guest Artist Micke Johansson demonstrate his unique style of glassworking in the Amphitheater Hot Shop during his demonstration on July 12, 2018. See the final piece out of the annealer at 1:53:40. Micke Johansson is a master glassblower and designer from Sweden. When he was 16 years old,

Renowned artist Bertil Vallien demonstrates the art of sandcasting in the Amphitheater Hot Shop using found pieces from The Studio. Vallien gave a lecture on the technique of sandcasting, a process that he is largely responsible for developing, at the Museum on April 20, 2015. Vallien is the most

Renowned for his sculptures in glass which appear to enclose light in the interior of the object, Bertil Vallien talks about the technique of sand casting, a process that he is largely responsible for developing. Bertil Vallien is the most widely recognized and admired artist working in glass in

(No, It Doesn't Flow—read on for details) Early one spring morning in 1946, Clarence Hoke was holding forth in his chemistry class at West Side High School in Newark, New Jersey. "Glass is actually a liquid." the North Carolina native told us in his soft Southern tones. "You can

See the Don't Try This At Home demo this summer, one of 50+ live glass demonstrations at The Corning Museum of Glass.

Watch Guest Artist Heather Spiewak create a vessel using four separate pieces of cut glass in the Amphitheater Hot Shop on June 28, 2018. See the finished vessel starting at 1:07:47. A member of the Hot Glass Team, Heather Spiewak graduated from Illinois State University, where she studied studio

Watch as Jason Howard demonstrated for his flameworking class, "If You Can Understand It, You Can Do It," at The Studio of The Corning Museum of Glass. See the final object starting at 54:53. R. Jason Howard is a glass artist who specializes in borosilicate flameworking. He lives in

Although most people think of glass as a man-made material, it is found in many forms in the natural world. A range of glasses are found in—and formed by—nature. Volcanoes spew molten rock, lightning strikes desert and beach sands, meteorites pound the earth, and sea sponges and microscopic

In conjunction with the 2017 special exhibition, Tiffany’s Glass Mosaics, on view from May 20, 2017- through January 6, 2018, director of education and interpretation Kris Wetterlund sat down with cultural historian Logan Pappenfort from the Peoria Tribe of Indians of Oklahoma to discuss the

Watch guest artist Fred Kahl make a sculpture using cast glass shapes during his Guest Artist demo for 2300°: GlassFest on May 24, 2018. See the final piece out of the annealer starting at 1:37:28. Fred Kahl, or ‘The Great Fredini’ as he is known, is a New York City-based artist (and magician) who

Watch Guest Artist Courtney Dodd make a large, white vase during her demo in the Amphitheater Hot Shop on June 21, 2018. See the finished vase starting at 1:23:24. Courtney Dodd is a full-time artist who lives and works in the mountains of Bakersville, North Carolina. She's worked for Devin

Watch as Bill Gudenrath demonstrates for his class, "An In-Depth Introduction to Venetian Techniques," at The Studio of The Corning Museum of Glass. See the final objects out of the annealer starting at 1:01:58. William Gudenrath is a glassblower, scholar, lecturer, and teacher. He is an

Climb aboard GlassBarge by The Corning Museum of Glass. The innovative, all-electric floating glass-making studio is making her way up the Hudson River. Enjoy the beauty of New York’s waterways as the talented Hot Glass Team demonstrates the centuries-old artform of glassblowing. This mobile

Dale Chihuly, who was born in Tacoma, Washington, in 1941, has become an internationally celebrated personality in contemporary art and design whose prominence in the field of contemporary studio glass is unmatched. He is a generous and charismatic individual with a forceful personality, who

Watch as Clare Belfrage demonstrated for her class, Line Drawings and More, the crazy wonders of cane drawing, which involves “drawing” with fine glass lines onto glass forms in the hot shop. Inspired by experiences of detail in nature, Belfrage’s work has been distinguished by the use of fine

A special exhibition of 22 vessels and sculptures by Erwin Eisch (German, b. 1927), one of the founders of studio glass in Europe, was on view at The Corning Museum of Glass from March 15, 2012, through February 3, 2013. The exhibition recognized Eisch for his achievements in developing glass as a

In 1979, the Museum’s landmark exhibition, New Glass: A Worldwide Survey, introduced to the American public the work of a Czechoslovak glassmaker, František Vízner. Nearly 30 years later, the Museum presented Vizner once again at Corning as a studio glass master. Masters of Studio Glass: František

The technology of printing with movable type, which had been invented in the mid-15th century, was still in its youth when Vannoccio Biringuccio’s comprehensive work on metallurgy, De la pirotechnia, was published in Venice in 1540. The phenomenon of the printed book spread knowledge and encouraged

Otto Schott, the pioneering German glass chemist, made a glass that could reliably do something that didn’t seem possible: endure sudden, uneven temperature shifts without shattering. The key, Schott discovered in 1882, was to have a critical amount of the element boron in the glass recipe. Schott

An understanding of the history of glass would not be complete without acknowledging the importance of glass beads both as a products of early manufacture in the medium and as artistic representations of diverse cultures and societies. Glass beads have been found at the earliest glass manufacturing

The Chavagnes gladiators cup, made in the mid-first century A.D., was found in eastern France, and it is now part of the Corning collection. It shows pairs of gladiators in combat, and some of their names are known from literary and epigraphic sources. This sports cup, blown in a mold with two

In their well-known attempts to make gold, alchemists also provided the foundation for modern chemistry and material sciences. This exhibition explores Northern European glass of the Baroque period and examines the technical advances in glassmaking made by alchemists during that time. Their work

Glasses engraved with scenic views or important buildings are part of a Germanic tradition dating to the eighteenth century. Similar commemorative glasses are noted in England, e.g., the well-known Sunderland Bridge rummers, but they are less common in English glass. Germanic glasses with this type

Corning Museum of Glass, April 21, 2008 Hello, I’m Tina Oldknow, the museum’s curator of modern glass. I welcome you to our series of conversations with artists who have made a significant impact on contemporary glass in America and abroad. Today, I will be speaking with two artists, Kait Rhoads

In 2004, The Corning Museum of Glass acquired an oval cast glass plaque with the portrait of King Louis XIV (Fig. 1) of France (r. 1643–1715). It is the second plaque of its kind in the museum, and one of eight examples that are known (3 in the catalog below). This plaque was not purchased so that

GlassFest Flameoff 2011 Recap: World-renowned glass artist Paul Stankard and World Glass store owner Josh Powers (Corning, NY), reflect on their journey to  create the 2011 GlassFest FlameOff. The FlameOff showcases several artists from around the world that demonstrate their talents using a torch

This article reviews the current state of our knowledge of early Islamic gold sandwich glass and publishes five examples in the Museum's collection. In 1964, the Corning Museum acquired a gold sandwich glass cup [64.1.32] (Fig. 1) that was identified as “2nd–4th century A.D., Parthian or

One of the most interesting figures in the history of glass lived four hundred years ago in Florence, Italy. He was an alchemist, a glassmaker and a Catholic priest. His name was Antonio Neri and he worked for a prince from the Medici royal family. 1  Neri is famously known as the author of the

The Rockwell Museum and The Corning Museum of Glass collaborated to bring internationally renowned artist Virgil Ortiz to Corning, NY for an opportunity to work in a new medium--glass. From Cochiti Pueblo, New Mexico, Ortiz strives to use art to blend historic events with futuristic elements in

The earliest glass vessel decorated with enameling dates from about 1425 B.C.E. 1 It successfully combines one of humankind’s oldest creative urges (the desire to draw on things) with one of the most advanced technologies of the ancient world (glassmaking). Today, essentially the same process