Aaron Pexa's work spans multiple mediums, from video and installation to sculpture and performance, and his goal is always to create a sense of bewilderment. He takes everyday environments and subverts them by introducing new artifacts and narratives that stimulate wonder and “bring people out

"The way the work is with the CNC carved molds is this perfect blend of scientific and mechanical precision and total fudge factor working in front of the furnaces and that is a lot about who I am as an artist, embracing the chaos of the universe." — Fred Kahl Working at the intersection

With a material as fragile and unpredictable as glass, artists need to be flexible—and it’s exactly that flexibility that intrigues Justin Ginsberg. A visual artist, Ginsberg investigates the “unusual properties” of glass, and its “extraordinary ability to flex and bend when made very thin.” His

You might not look at glass and candy and think they have similar properties, but Yuka Otani does. “Those two materials share many characteristics,” she says. “But what if they are made into a unified object?” During her artist residency at The Studio of The Corning Museum of Glass, Otani created a

Albert Paley is the first artist selected to participate in a new Specialty Glass Residency program offered by The Corning Museum of Glass and Corning Incorporated. Read the blog post:  Specialty Glass Residency: New Materials Open Up New Possibilities.

"I want the viewer to expereince the process of blurring boundaries between cultures by looking at my work." Min Jeong Song studies ornamental styles across time periods and geography, and her work explores how certain attributes of glass can be used to create ambivalent objects: objects

In her May 2012 Residency at The Studio, Ingalena Klenell worked on a project called Travelers. The project is based on the history of cultural exchange in trade relations between Venice and Egypt, inspired by a collection of glass shards found in Egypt that date from 1100 A.D. to 1400 A.D.

In her May 2012 Residency at The Studio, Marta Ramírez interpreted the works of Shinichi Maruyama, a Japanese artist and photographer who has developed an artistic body of work called Water Sculptures.

Barbara Idzikowska has been fascinated by glass for more than 20 years. Living and working in Wrocław, Poland, she seeks to give ideas material form through her work in glass. In 2004, she established Atelier Si, Pb..., a studio of drawing on glass, with the graphic designer Eugeniusz Get

Shelley James' work is the result of practiced technical precision and researched techniques. Over the past six years, she has focused her work on "combining the optical qualities of glass with the graphic range of print to explore the dialogue between eye and brain." James studied

Hear from Irish artist Alison Lowry about her Residency at The Studio.

Emma Stein in inspired by patterns and circularity as they relate to nature and human history. As a teenager, she visited The Corning Museum of Glass, where she witnessed glassblowing for the first time. It ignited a passion that led to a life of exploring the material, focusing her work on the

Jackie Pancari loves discovering the ways glass and light interact. She thinks of her studio as “a laboratory where curiosity and imagination lead to experimentation and discovery.” With an MFA from Alfred University School of Art, Pancari has exhibited her work across the U.S. and in Japan. She

Helen Tegeler is inspired by the transitional properties of plants, and extrapolates upon that in her work. From growth patterns and branching to surface textures and patterns, she feels there are infinite design possibilities when interpreting plants in glass. She loves exploring seeds, and the

Rui Sasaki is a Japanese conceptual artist whose work centers around the exploration and discovery of subtle intimacy in unfamiliar and familiar spaces, which she refers to as “empty space.” After moving to the U.S. in 2007, she experienced sensations of lost memories, nostalgia, and homesickness.

The way I usually go is to follow my curiosity. If I'm curious about a material and I'm wondering how it will behave, the curiosity is strong and I want to test things out. Elinor Portnoy ’s work examines the fluidness of material. She designs processes that demonstrate the natural

"I wanted to create an experience where it was about the light and the sound of the water and you're really aware of the context in the surroundings." Dr. Karlyn Sutherland is inspired by the bond between people and place. Autobiographical in nature, her work explores this dialogue

Hear from artists Michael Rogers and Judy Tuwaletstiwa about their collaborative work as artists-in-residence at The Studio.

"Even though I know glass well, and I've worked with it so much, I feel like I'm completely a beginner again—a beginner with knowledge—and I think this is a very different way of working then I've done so far," says artist Anna Mlasowsky about the Special Glass Residency, a

Children in Korea today are like mass produced toys. They are meant to be all exactly alike, lacking individuality and quality of character, a whole society of people who are easily replaceable and hold little value as individuals, just like mass produced plastic toys or paper dolls

I like to see it as, I know how to play, but I choose not to play the way that I learned. Fredrik Nielsen is a Swedish artist with a unique flair for experimentation, combining aspects of pop culture such as graffiti, music, videos, and performance into his glass art. His strong desire to push the