Hear from Anne Vibeke Mou about her time as an artist-in-residence at The Studio of The Corning Museum of Glass where she experimented with creating new glass formulas using ancient fossils, inspired by waldglas. Originally from Denmark, artist and engraver Anne Vibeke Mou has been studying and

Mielle Riggie works with both the strength and fragility of glass to illustrate the dynamics of human emotion or conditions. During her residency at The Studio, Riggie created cast-glass sculpture amplifying elements in nature, such as leaves and roots, and recombined disparate parts in ways that

With a material as fragile and unpredictable as glass, artists need to be flexible—and it’s exactly that flexibility that intrigues Justin Ginsberg. A visual artist, Ginsberg investigates the “unusual properties” of glass, and its “extraordinary ability to flex and bend when made very thin.” His

You might not look at glass and candy and think they have similar properties, but Yuka Otani does. “Those two materials share many characteristics,” she says. “But what if they are made into a unified object?” During her artist residency at The Studio of The Corning Museum of Glass, Otani created a

Albert Paley is the first artist selected to participate in a new Specialty Glass Residency program offered by The Corning Museum of Glass and Corning Incorporated. Read the blog post:  Specialty Glass Residency: New Materials Open Up New Possibilities.

April 2010 Artist-in-Residence Marie Retpen was hot working large pieces that would eventually become part of a large installation. She finds inspiration for her surreal works from the novels Alice in Wonderland and Alice Through the Looking Glass, and the movie The Terminator.

April 2010 Artist-in-Residence Eliza Au used the lost wax casting method to create a delicate glass prayer rug, meant to reflect the fragility of religion and belief. Much of her work is influenced by Gothic wrought-iron fences or Islamic tile and textile patterns.

Beth Lipman, artist-in-residence at The Studio, discusses her work.

"In my work, very often, it is good to take a second look." A Berlin-based artist, Veronika Beckh has exhibited extensively in the United States and Europe. Her work invites viewers to disconnect from the noise and chaos of everyday life and to find light, tranquility, and contemplation.

"I want the viewer to expereince the process of blurring boundaries between cultures by looking at my work." Min Jeong Song studies ornamental styles across time periods and geography, and her work explores how certain attributes of glass can be used to create ambivalent objects: objects

"My initial relationship to the arts would probably be observation. Watching things change, watching things grow." Amie Laird McNeel came to The Studio of The Corning Museum of Glass as part of the joint Artists-in-Residence partnership with the John Michael Kohler Arts Center. A

Mathieu Grodet is a French-born artist living and working in Canada. He creates thin and elegant glass objects in classic Venetian style, engraved with imagery that addresses modern-day ideas and issues. In his March 2012 Residency at The Studio, Grodet used the Museum's Rakow Library to

Norwood Viviano uses digital 3D modeling and printing technology in combination with the casting process to create his sculptural works. During his March 2012 Residency at The Studio, Viviano created urban and industrial landscapes out of kiln-cast glass as an extension of his previous

In her May 2012 Residency at The Studio, Ingalena Klenell worked on a project called Travelers. The project is based on the history of cultural exchange in trade relations between Venice and Egypt, inspired by a collection of glass shards found in Egypt that date from 1100 A.D. to 1400 A.D.

In her May 2012 Residency at The Studio, Marta Ramírez interpreted the works of Shinichi Maruyama, a Japanese artist and photographer who has developed an artistic body of work called Water Sculptures.

In her October 2012 Residency at The Studio, Joanna Manousis worked on a new body of work that alludes to both nature and to man-made artifice. She created a series of blown molded forms in clear glass that have thin layers of pâte de verre strategically inlaid into the blown surfaces.

Andrew Erdos' work is pop, sarcastic, and humorous, with a hint of social commentary. He says, "I like taking objects that we are comfortable with—like a human's reaction to animals—and exploring how we interact with them. In my work, there is a complex series of relationships

In her April 2013 Residency at The Studio, Anna Mlasowsky created an installation for her solo exhibition at The Factory Museum, in Boda, Sweden. Her goal was to materialize sound through a process based on Cymatics, from the Greek word for wave meaning the study of visible sound and vibrations.

During her March 2013 Residency at The Studio, Melinda Willisn explored layering and imagery. Through casting, slumping, laminating, and cold working techniques, combined with the use of ceramic decals and mirrored elements, Willis constructed complex assembled glass pieces.

Shelley James' work is the result of practiced technical precision and researched techniques. Over the past six years, she has focused her work on "combining the optical qualities of glass with the graphic range of print to explore the dialogue between eye and brain." James studied

Hear from Irish artist Alison Lowry about her Residency at The Studio.

Rui Sasaki is a Japanese conceptual artist whose work centers around the exploration and discovery of subtle intimacy in unfamiliar and familiar spaces, which she refers to as “empty space.” After moving to the U.S. in 2007, she experienced sensations of lost memories, nostalgia, and homesickness.

"I wanted to create an experience where it was about the light and the sound of the water and you're really aware of the context in the surroundings." Dr. Karlyn Sutherland is inspired by the bond between people and place. Autobiographical in nature, her work explores this dialogue

Hear from artists Michael Rogers and Judy Tuwaletstiwa about their collaborative work as artists-in-residence at The Studio.

"Even though I know glass well, and I've worked with it so much, I feel like I'm completely a beginner again—a beginner with knowledge—and I think this is a very different way of working then I've done so far," says artist Anna Mlasowsky about the Special Glass Residency, a

Children in Korea today are like mass produced toys. They are meant to be all exactly alike, lacking individuality and quality of character, a whole society of people who are easily replaceable and hold little value as individuals, just like mass produced plastic toys or paper dolls

I like to see it as, I know how to play, but I choose not to play the way that I learned. Fredrik Nielsen is a Swedish artist with a unique flair for experimentation, combining aspects of pop culture such as graffiti, music, videos, and performance into his glass art. His strong desire to push the