All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Jackie Pancari loves discovering the ways glass and light interact. She thinks of her studio as “a laboratory where curiosity and imagination lead to experimentation and discovery.” With an MFA from Alfred University School of Art, Pancari has exhibited her work across the U.S. and in Japan. She
Watch Janusz Poźniak strengthen students' understanding of glassblowing fundamentals for his 2014 class, Blowing Your Mind.
Keke Cribbs and Ross Richmond Demo at the Glass Art Society Conference in Seattle, June 1-5, 2011.
Watch as Ross Richmond demonstrated for his class, Hot Glass Sculpting, the unique techniques and approaches to solid and blown sculpting, emphasizing a freedom to explore process, and the potential of the material.
This Meet the Artist lecture by Michael Rogers was recorded on March 29, 2007. Michael Rogers combines glass and found objects in his symbolically-charged work. There is a strong literary character to his vessels and sculpture, which are often covered in writing. The words are sometimes quotes from
Watch Beccy Feather and Alex Rosenberg demonstrate for their class, Kill Your Darlings. This furnace working class asked students to consider the difference between 'my process' and 'my practice' and how the act of 'making' influences the ideas behind what artists make
Watch as Amy Rueffert demonstrated for her 2015 class, Let's Make Some Glass!, using blown forms, blowing punites, bit work, and using decals in the hot shop.
Watch as Suellen Fowler and Hugh Salkind demonstrate for their class, Flamework Glass Sculpting: Solid and Blown Forms, how to create sculptures and vessels in colored borosilicate glass.
Watch as Hugh Salkind demonstrates for Suellen Fowler's class, Flamework Glass Sculpting: Solid and Blown Forms. Salkind makes a marble at the torch using gold to create a pattern on one side and a fish-scale or dot stacking pattern on the flip side.
Watch Emilio Santini demonstrate various sculpting and glassblowing techniques using borosilicate and soda lime glass for his 2012 Studio course, Sculptural Flameworking.
Emilio Santini speaks about his favorite Livio Seguso pieces within the Voices of Contemporary Glass exhibit at The Corning Museum of Glass.
Watch as Emilio Santini and Simone Crestani demonstrated for their 2013 class, Flameworking for Everybody, various sculpting and glassblowing techniques using borosilicate and soft glass.
Watch as Emilio Santini demonstratesd for his 2014 class, Flameworking for Everybody, various sculpting and glassblowing techniques using borosilicate and soft glass.
Emma Stein in inspired by patterns and circularity as they relate to nature and human history. As a teenager, she visited The Corning Museum of Glass, where she witnessed glassblowing for the first time. It ignited a passion that led to a life of exploring the material, focusing her work on the
Watch as Nick Mount demonstrates for his class, Taking the Next Step, which worked on a variety of forms and decorative techniques intended to push students to the next level. See the final piece starting at 1:27:34.
Museum demonstration supervisor and glass artist Eric Goldschmidt travels the world to gain deeper insight into the art, craft, science, history, and future of glass and the culture that surrounds the material. Most recently, he visited Murano, Italy where he talked with artist Lucio Bubacco. The
Low relief of glass is not simply the combination of kiln casting and flameworking. It is the creation of a new outcome: a new vision and a new point of view. It is widely known that when flameworked figures are ‘sandwiched’ by layers of cast glass in the hotshop, or kiln-casted, these figures
Watch a functional, preserved 19th-century wooden lampworking table, complete with a leather bellows, in action. The Museum’s wooden table is equipped with a foot-operated bellows that acts as an air compressor, pushing air through two hollowed out wooden pipes built into the table. The crossed
See master gaffer James Mongrain and our Hot Glass Demo team explore traditional Venetian and Italian forms during Mongrain's extended stay as a guest artist in our Amphitheater Hot Shop. In this demo, Mongrain makes the decorative glass animals used later in the week in his 2300° demo. Watch
English subtitles available, click the CC (closed caption) icon. Corning, NY has played a very important role in the development of the American glass industry. From beautiful crystal to today's fiber optics, Corning has been home to some of the best and brightest glass innovations. At The
A short historical documentary initially premiered at the 2016 Glass Arts Society conference via public viewing stations.
Watch what's happening inside the furnace when glassmakers take a gather. Animation by Brian Hewitt, Designer/Front-End Developer, and gathering and narration by Eric Meek, Hot Glass Show/GlassLab Manager.
Hear from artist Michael Schunke with music by the Ithaca-based Sim Redmond Band.
Watch as Michael Schunke demonstrated goblet-making skills for his Studio course, Goblet Thinking for the Modern World. Students detached from expectations and remained open to the unexpected, enabling both success and—more importantly—failure. Students learned the skills to manage these opposite
Watch as Michael Schunke and Josie Gluck demonstrate for their 2014 class, Cups and Color, how goblet-making was supplemented with an intense focus on color chemistry and melting practice.
Watch as Stephanie Sersich demonstrates for her 2013 class, Beadmaking: Jewelry Components, Pendants, Buttons and Beyond, the many different kinds of jewelry components—pendants, buttons, focal, and accent beads—using traditional and nontraditional flameworking techniques.
Carl Siglin began blowing glass in 2003 when he was hired as a technician at The Studio. Prior to his work in glass, Carl, who attended Syracuse University's School of Architecture, ran his own independent contracting company for 15 years. In 2008, he joined the Hot Glass Demo team on
Award-winning documentary filmmaker Robin Lehman catches the drama and intensity of maestro Pino Signoretto creating his inventive works in glass. Filmed at The Studio of The Corning Museum of Glass and dramatically set to music for a dazzling sensory experience, this film allows students, artists,
In March of 2012, artist Josh Simpson and his wife, Cady Coleman, a renowned astronaut, presented a joint lecture at CMoG. Simpson creates wondrously detailed imaginary "planets" and "worlds" in glass. Coleman spent six months on the International Space Station in 2011. They
Hear from Chief Librarian Jim Galbraith on the recently acquired Whitefriars archive at The Rakow Research Library. The Library received a National Leadership Grant for Libraries; Collaborative Planning Grant from the Institute for Museum and Library Services (IMLS) to help conserve and digitize