All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
Drawn to functional forms more than abstract designs, and inspired by makers such as Boyd Sugiki and The Studio's own resident artist Bill Gudenrath, Lauren Hunt gets motivation from her surroundings at The Studio. The skill of these masters is "what you strive for," and Lauren
In Portland, Oregon, when he was just 10 years old, Brandyn Callahan learned from his mother how to make fused glass. His interest in glass led him to flameworking and glassblowing classes and, after high school, a glassblowing apprenticeship. Brandyn now lives in Seattle, Washington, where he
Jordana Korsen has been working with hot glass for more than 20 years, focusing on functional work with a sculptural touch. As a glassblower, she creates clean forms with a sense of humor. Korsen has been running the glass program at Franklin Pierce University since 1995. Her architectural
John Miller, known for his large-scale pop art glass, creates a giant cupcake in celebration of The Studio's 20th birthday, including a not-to-be-missed ending!
Viewers follow the celebrated glassmaker Lino Tagliapietra as he makes canes(delicately patterned rods of glass) and uses them to decorate one of his intricate blown vessels at The Studio. Along the way, he notes the importance of the gather in cane-pulling, offers some observations on the state of
Kristina Logan is internationally recognized for her precisely patterned, delicate glass beads, which she combines with metalwork to create jewelry and functional objects. In the Master Class video, Logan demonstrates her process of beadmaking at the torch, finishing the glass by cold-working, and
Watch as Ross Richmond demonstrated for his class, Hot Glass Sculpting, the unique techniques and approaches to solid and blown sculpting, emphasizing a freedom to explore process, and the potential of the material.
Watch Beccy Feather and Alex Rosenberg demonstrate for their class, Kill Your Darlings. This furnace working class asked students to consider the difference between 'my process' and 'my practice' and how the act of 'making' influences the ideas behind what artists make
Watch Emilio Santini demonstrate various sculpting and glassblowing techniques using borosilicate and soda lime glass for his 2012 Studio course, Sculptural Flameworking.
Watch as Emilio Santini and Simone Crestani demonstrated for their 2013 class, Flameworking for Everybody, various sculpting and glassblowing techniques using borosilicate and soft glass.
Watch as Michael Schunke demonstrated goblet-making skills for his Studio course, Goblet Thinking for the Modern World. Students detached from expectations and remained open to the unexpected, enabling both success and—more importantly—failure. Students learned the skills to manage these opposite
Watch as Stephanie Sersich demonstrates for her 2013 class, Beadmaking: Jewelry Components, Pendants, Buttons and Beyond, the many different kinds of jewelry components—pendants, buttons, focal, and accent beads—using traditional and nontraditional flameworking techniques.
Davide Salvadore speaks of his profound love and respect for glass, and his family. He demonstrates working with murrine. Master Class VIII: Working with Murrine with Davide Salvadore (30 minute DVD presented by The Studio of The Corning Museum of Glass).
At The Studio, Davide Salvadore instructed on how to apply murrine to blown glass vessels and a Muranese technique called tociar piere. Salvadore comes from a tradition of glassworkers in Murano, and enjoys sharing his knowledge and passion for glass. Davide Salvadore led a week-long workshop in
Watch Davide Salvadore demonstrate for his furnace working class, Creating and Using Murrine, a Muranese technique called tociar piere—the roll-up technique.
Watch Raven Skyriver demonstrate for his Under Construction class at The Studio. In this sculpting class, students learned how to construct the objects that they have been visualizing but haven't yet tackled. Students explored complex color application using the powder booth, emploedy the use
Watch Ethan Stern demonstrate for his Studio course, Form and Surface: An Anatomy Lesson, glassblowing through a sculptural lens, focusing on form, scale, layering, and color application techniques.
Watch as Ethan Stern demonstrated for his class, Form and Surface: An Anatomy Lesson, glassblowing through a sculptural lens, focusing on form, scale, layering, and color application techniques.
Denise Stillwaggon Leone studied art at the School of the Museum of Fine Arts, Boston. She designs and fabricates architectural art glass commissions for site-specific installations, and has participated in numerous private and public art competitions. Her work can be found in public spaces of
Watch Loren Stump demonstrate for his Studio course, Advanced Floral Murrine, how to use to use a variety of complex murrine components to achieve high detail in miniature floral design. January 11, 2012, at The Studio of The Corning Museum of Glass.
Norwood Viviano uses digital 3D modeling and printing technology in combination with the casting process to create his sculptural works. During his March 2012 Residency at The Studio, Viviano created urban and industrial landscapes out of kiln-cast glass as an extension of his previous
Watch David Willis demonstrate for his flameworking class, Make What You Like, to help students fabricate in glass anything they can conceive.
Watch Boyd Sugiki and Lisa Zerkowitz demonstrate for their Studio course, A Step-by-Step Approach, in which focus was on refining skills of basic forms such as the tumbler, cylinder, bowl, and bottle. Moving logically from one shape to the next helped students build a solid foundation for the
Watch Alex Brand demonstrate for his Color Working Techniques course at The Studio. This course presented various color working techniques and taught students to infuse their glassmaking with color. The class focused on various types of incalmo work; the hot joining of two or more separate blown
Watch Karina Guévin & Cédric Ginart demonstrate for their Studio course, Flameworking Cocktail, in which the focus was on providing beginners with a solid foundation in basic technical skills. Students were introduced to various techniques using both soft (soda lime) and hard (borosilicate)
Watch Paul Stankard and Lucio Bubacco demonstrate for their Studio course, Fiore e Angeli (Flowers and Angels), in which they share their signature flameworking styles and techniques in a celebration of flowers and angels.
Gianni Toso: Glassmaking as a Language, a live flameworking demonstration at The Studio on July 20, 2011.
William Gudenrath, resident advisor of The Studio, provides instruction in the basics of Venetian glassblowing and creates his own Venetian-inspired glass pieces. The portrait of the artist focuses on his passion for glassblowing, teaching and music. Master Class Series, Vol. II: Introduction to
William Gudenrath is a glassblower, scholar, lecturer, and teacher. He is an authority on historical hot glassworking techniques from ancient Egypt through through the Renaissance, and has presented lectures and demonstrations throughout the world. As resident adviser for The Studio, Bill ensures
Many American studio glass artists turned to the traditional glassworking centers of Venice, central Europe, and Scandinavia for inspiration and knowledge. Lino Tagliapietra, the highly influential Italian maestro and teacher, provided a special glassblowing demonstration for the Museum's