All About Glass

All About Glass

This is your resource for exploring various topics in glass: delve deeper  with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.

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Glass of the Maharajahs
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The Tradition of Glass Furniture The tradition of glass furniture began in the early nineteenth century when the Russian Imperial Glass Works created several tables for members of the imperial family. But it was the opening of the 1851 Great Exhibition of the Works of Industry of All Nations in

The Tradition of the Avant-Garde: Bohemian Glass, 1820–1935
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What is your first association with the term “bohemian”? Does it evoke a fine beer-brewing tradition, or connote unpronounceable town names? Germans have a saying: “lauter böhmische Dörfer” (nothing but Bohemian villages), referring to something completely incomprehensible, because of the odd

GlassLab Design Session: Sigi Moeslinger & Masamichi Udagawa
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Designers Sigi Moeslinger and Masamichi Udagawa describe working at GlassLab during a design session at The Corning Museum of Glass, June 26- 27, 2012.

Prunted Beaker Restoration- Part Two
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Watch as our conservator, Stephen Koob, restores a 13th or 14th-century prunted beaker for the 2010 exhibition, Medieval Glass for Popes, Princes, and Peasants. This piece was on loan from the Museum zu Allerheiligen, Shaffhausen, in Switzerland. With painstaking care and precision Koob

Prunted Beaker Restoration- Part One
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Watch as our conservator, Stephen Koob, restores a 13th or 14th-century prunted beaker for the 2010 exhibition, Medieval Glass for Popes, Princes, and Peasants. This piece was on loan from the Museum zu Allerheiligen, Shaffhausen, in Switzerland. With painstaking care and precision Koob

GlassLab Design Session: Dan Ipp & Tom Zogas
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RIT Metaproject students Dan Ipp and Tom Zogas describe working at GlassLab during a design session at The Corning Museum of Glass, July 3- 4, 2012.

Harvey K. Littleton and the American Studio Glass Movement
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Harvey Littleton is internationally acclaimed and recognized for his tireless work in  %%founding%% and promoting the American Studio Glass movement.  The movement was “born” in 1962, during two seminal glassblowing workshops at The Toledo Museum of Art.  The workshops were led by Littleton, a

Mt. Washington and Pairpoint: Cut Rose Globe
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play pause stop mute unmute max volume repeat repeat off Cro Magnon Man--> Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Mt. Washington Glass Company United States, New Bedford, MA 1889–1900 Glass, blown, cut,

A Trip Up a Goat Path Unearths Blaschka-Era Lampworking Table
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Who would have thought that a trip up a goat path would lead to the Museum’s acquisition of a 19th-century lampworking table that was part of the 2007 Botanical Wonders exhibition? In October 2006, Steve Gibbs, the Museum’s manager of events marketing, embarked on a mission to find a lampworking

GlassLab Design Session: Peter Sís
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Illustrator Peter Sís describes working at GlassLab during a design session at The Corning Museum of Glass, June 12- 13, 2012.

GlassLab Design Session: Wendell Castle
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Designer Wendell Castle describes working at GlassLab during a design session at The Corning Museum of Glass, June 19- 20, 2012.

GlassLab Design Session: Marc Thorpe
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Designer Marc Thorpe describes working at GlassLab during a design session at The Corning Museum of Glass, July 10- 11, 2012.

GlassLab Design Session: Tom Scott
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Designer Tom Scott describes working at GlassLab during a design session at The Corning Museum of Glass, July 24 and 25, 2012.

GlassLab Design Session: Josh Owen
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Designer Josh Owen describes working at GlassLab during a design session at The Corning Museum of Glass, May 29 and 30, 2012.

GlassLab Design Session: Constantin & Laurene Boym
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Designers Constantin and Laurene Boym describe working at GlassLab during a design session at The Corning Museum of Glass, August 7 and 8, 2012.

GlassLab Design Session: Jason Miller
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Designer Jason Miller describes working at GlassLab during a design session at The Corning Museum of Glass, June 5 and 6, 2012.

GlassLab Design Session: Jon Otis
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Designer Jon Otis describes working at GlassLab during a design session at The Corning Museum of Glass, July 17 and 18, 2012.

GlassLab Design Session: Michele Oka Doner
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Designer Michele Oka Doner describes working at GlassLab during a design session at The Corning Museum of Glass, July 31 through August 1, 2012.

Fragile Legacy
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From their first commission for glass marine invertebrate models in 1863, to their later production of glass flowers for Harvard University’s well-known Ware Collection of Blaschka Glass Models of Plants, Leopold Blaschka (1822 – 1895) and his son Rudolf (1857 – 1939) masterfully captured in glass

The Story of Rudolf and Leopold Blaschka
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The Botanical Wonders exhibition celebrates the singular triumph of glassmakers Leopold Blaschka (1822-1895) and his son Rudolf (1857-1939) and offers close-ups of the people and the craft process behind the Glass Flowers. David Whitehouse narrates. "Botanical Wonders: The Story of the Harvard

Pietro Bigaglia
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One of the most noteworthy contributors to the development of the first paperweight was the 19th century Venetian glassmaker Pietro Bigaglia. Bigaglia’s family owned glassmaking shops in Venice as early as 1674. He made mirrors as well as lamps and window panes decorated with filigree and

Perfume Bottles: From Design Table to Dressing Table
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Since ancient times, perfume bottles have served to contain the most subtle of mysteries: delightful, seductive scents. Before glassblowing, ancient Egyptian artisans fashioned exquisite containers from alabaster, metals, precious stones, and core-formed glass to hold their highly valued perfumes.

Founders of American Studio Glass: Dominick Labino
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At the time that [studio glassworking] began, not one of us involved was aware of the speed with which it would spread. Not only nationally, but internationally. — Dominick Labino, undated manuscript Dominick Labino’s contributions to 20th-century glassmaking were wide-ranging and innovative.

Czech Glass vs. Bohemian Glass
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Do you know the difference between the Czech Republic and Bohemia? The short answer is that there is practically none. Both names refer to nearly the same region, and they are used for historical reasons. From the Middle Ages to 1918, Bohemia was the name of what is today the major part of the

Beyond Venice: Glass in Venetian Style, 1500-1750
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In Renaissance Europe, the compulsion to copy Venetian glassmaking styles and techniques was no simple fashion fad. The glass was clearly superior in almost every way. The glass was called “cristallo” because it was clear and colorless, a quality the Venetians achieved as early as 1440 by making it

Louis Comfort Tiffany Paperweights
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Louis Comfort Tiffany, the son of Charles Lewis Tiffany, was born in 1848. At the time of Tiffany’s birth his father owned one of the most prestigious jewelry and silver stores in America. Tiffany grew up around the decorative arts and decided to become a painter in 1866 rather than attend

Drawings for American Stained Glass
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Drawings for American %%Stained Glass%%, a 2010 exhibition at the Museum’s Rakow Research Library, showcased 19th- and 20th-century designs from studios and artists across the United States. These designs illustrated the great diversity in style and subject matter in modern American stained glass,

19th Century French Paperweight Makers
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Compagnie des Cristalleries de Saint-Louis Compagnie des Cristalleries de Saint-Louis, which is named after the sainted King Louis IX, was founded in Lorraine, France in 1767 and still exists today. Along with Baccarat, it nearly monopolized the French luxury glass industry for many years. In late

Master of Studio Glass: František Vízner
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In 1979, the Museum’s landmark exhibition, New Glass: A Worldwide Survey, introduced to the American public the work of a Czechoslovak glassmaker, František Vízner. Nearly 30 years later, the Museum presented Vizner once again at Corning as a studio glass master. Masters of %%Studio Glass%%:

From the 1908 Ornamental Glass Bulletin: "Odd Uses of Glass"
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"It was only a few months ago that plans were drawn for a house to be built of compressed opalescent glass bricks to be erected at Beechhurst; L.I. The house will be built, as regards material, very similar to some small one and two story office buildings which have been erected in Des Moines,

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