Vittorio Costantini is a Venetian glass master known for his precisely rendered small flameworked sculptures. He is inspired by nature, and he works with a range of subjects, including multi-colored insects, butterflies, birds, fish, and flowers. Costantini's pieces are celebrated for their

Watch Tim Drier demonstrate for his class, Introduction to Flameworking, in which students will embark on an evolution through glassmaking, beginning with marbles (single cell), through fungus, aquatics, and small land mammals, ending with the human form.

Watch Suellen Fowler demonstrate for her class, Flamework Glass Sculpting: Solid and Blown Forms, a variety of techniques for creating sculptures in colored borosilicate glass. During the class, Fowler demonstrated cane decoration and patterns, the use of commercial and hand mixed color, and

Watch John Kobuki demonstrate for his Studio course, Flower Marbles, the compression technique used to make flowers and  and other deeply encased designs in borosilicate glass. John Kobuki has been working with glass since 1995. He is known for making marbles with the compression technique. Kobuki

Watch Tim Drier demonstrate for his class, Introduction to Flameworking, how to embark on an evolution through glassmaking, beginning with marbles (single cell), through fungus, aquatics, and small land mammals, ending with the human form.

In her May 2012 Residency at The Studio, Marta Ramírez interpreted the works of Shinichi Maruyama, a Japanese artist and photographer who has developed an artistic body of work called Water Sculptures.

2300°: GlassFest Bead Extravaganza featured artist Kate Fowle Meleney, who demonstrated beadmaking in celebration of the opening of the 2013 exhibition, Life on a String: 35 Centuries of the Glass Bead.

In this video, Cesare Toffolo makes both a simple footed bowl and an intricate historical goblet. He hosts a brief tour of flameworked objects in the collection of The Corning Museum of Glass, and he shares his philosophy of teaching, learning, and creating. Cesare Toffolo is considered to be the

The Corning Museum of Glass presents its popular 2300° series of art happenings each year, featuring live music, hot glassmaking, and great food and drink. This video gives you an inside look at the festivities at 2300°: Finger Lakes Finest (January 17, 2013), including music by The Blind Spots,

Watch as Suellen Fowler and Hugh Salkind demonstrate for their class, Flamework Glass Sculpting: Solid and Blown Forms, how to create sculptures and vessels in colored borosilicate glass.

Watch as Hugh Salkind demonstrates for Suellen Fowler's class, Flamework Glass Sculpting: Solid and Blown Forms. Salkind makes a marble at the torch using gold to create a pattern on one side and a fish-scale or dot stacking pattern on the flip side.

Watch Emilio Santini demonstrate various sculpting and glassblowing techniques using borosilicate and soda lime glass for his 2012 Studio course, Sculptural Flameworking.

Watch as Emilio Santini and Simone Crestani demonstrated for their 2013 class, Flameworking for Everybody, various sculpting and glassblowing techniques using borosilicate and soft glass.

Watch as Emilio Santini demonstratesd for his 2014 class, Flameworking for Everybody, various sculpting and glassblowing techniques using borosilicate and soft glass.

At 2300°: Finger Lakes Finest in January 2013, glassblower Eric Meek and flameworker Eric Goldschmidt collaborated to make an amphora with flameworked figures and grapes. See what they had to say about the experience.

Watch Loren Stump demonstrate for his Studio course, Flameworking Using Ultimate Details, advanced murrine techniques including color blending, design analysis, shaded components, and assembling and pulling cane to produce Franchini-style shaded faces. Students examined methods for creating human

Glass Maestro, Gianni Toso shares what inspires and influences his work, specifically about his piece "Chess Set."

Watch David Willis demonstrate for his flameworking class, Make What You Like, to help students fabricate in glass anything they can conceive.

Watch as Karina Guévin and Cédric Ginart demonstrated for their 2014 class, Flameworking Cocktail, which focused on providing beginners with a solid foundation in basic technical skills using both soft (soda lime) and hard (borosilicate) glass.

Watch Karina Guévin & Cédric Ginart demonstrate for their Studio course, Flameworking Cocktail, in which the focus was on providing beginners with a solid foundation in basic technical skills. Students were introduced to various techniques using both soft (soda lime) and hard (borosilicate)

Gianni Toso: Glassmaking as a Language, a live flameworking demonstration at The Studio on July 20, 2011.

The Botanical Wonders exhibition celebrates the singular triumph of glassmakers Leopold Blaschka (1822-1895) and his son Rudolf (1857-1939) and offers close-ups of the people and the craft process behind the Glass Flowers. David Whitehouse narrates. "Botanical Wonders: The Story of the Harvard

Watch as Kristina Logan demonstrates beadmaking during her Beadmaking: Expanding Your Skills class at The Studio. Logan's week-long course focuses on a broad spectrum of techniques: surface decorations, dots galore, clear casing, working large beads, and troubleshooting common mistakes and

Watch as Debbie Tarsitano demonstrates for her class, Encasing Flamework: Designs Under Glass, which will focus on encasing lampworked elements in clear crystal.

Listen as glass artist William Gudenrath describes flameworking (or lampworking), the technique used by the Blaschkas to create the objects in this case at the Museum. The display tells the story of two remarkable lampworkers, Leopold Blaschka and his son Rudolf, who created in glass thousands of

"Glass in Motion" A video highlight montage of the 2011 GlassFest in Corning, NY.

GlassFest Flameoff 2011 Recap: World-renowned glass artist Paul Stankard and World Glass store owner Josh Powers (Corning, NY), reflect on their journey to  create the 2011 GlassFest FlameOff. The FlameOff showcases several artists from around the world that demonstrate their talents using a torch

Artists have proven that glass as a medium for sculpture is virtually without limits. Among hot-working processes, flameworking allows the greatest detail and the smallest scale. Surprisingly though, it can also be used to create sculpture large enough to fill rooms.

Watch Jim Byrnes demonstrate for his Studio course, Beginning Flameworking, that will focus on the means more than the end. Students will be guided through s...

Listen as curator Tina Oldknow, describes the object Woven Heaven, Tangled Earth by artist Susan Plum. For Susan Plum, glass is a metaphor for light. She works with it as a way, she says, to "concretize the invisible." Plum prefers borosilicate glass for its high silica content and its